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You are what you read. And what you see. And what you hear.
I am Heath.
Who are you? Email Heath at heath at mediadiet dot net about items of possible impact, interest, and intrigue. Or just to say hey! (Portions of our correspondence might make its way back here. If this makes you feel uncomfortable, be sure to let me know.) Send me links. Use Delicious, and tag them for:h3athrow.
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Friday, November 14, 2003
From the Reading Pile XXIII Catfight Part One (September 2003) A stark contrast to MK Reed's abyssmal attempt at an ashcan with Zombie Hunters in Space, this is a more full-fledged foray into simply drawn storytelling. Featuring a trio of women interested in sports, music, cigarettes, and social interaction, the 36-page comic sports some nice Ariel Schrag-like scripting moments, as well as some absolutely artistic moments (panel seven, p. 10). The directional detour on p. 12 was well "written," as well. While the "hells yeah" got tiring, the Rodney Schroeter-esque badminton bash up on p. 15 is quite funny, as is the lunchtime inquisition. Reed stretches a little with panel four, p. 19 -- in the awkward anatomy plus Jessica Abel allusion sense -- but all in all, the comic is a nice pre-college pretense, particularly given the anti-boyfriend screed on p. 23 and the Syracuse reference in Zombie Hunters in Space. The accelerated relationship sequence on p. 25 and the distant detail of pp. 26-27 show some solid storytelling skills not included elsewhere, and the ending, while open-ended, left me wanting more. For 23, MK's not too bad. I look forward to more. Write MK Reed for more information. Don't Leave Home Joining Shawn Cheng at Partyka, Sara Edward-Corbett's 24-page cloth-covered comic is an oddly bound exhibit of a romantic pentangle. Combining the styles of Tony Millionaire, John Hankiewicz, and Greg Cook, the creator leaves a love-lorn look at youthful insolence and pessimism. The second story is a folkloric frolic involving anthropomorphic accoutrements, with the overeager shoe breaking the insecure straw. That shoe's laces are the most expressive I've ever seen! Kudos! Write Sara Edward-Corbett for more information. Forlorn Funnies #5 ashcan As a promotion for the 80-page issue due in October, this 16-page pamphlet is a terrible tease. Even the production values -- the paper stock and vivid color -- makes me want the complete edition. Understandable, but unforgivable. Including reviews of previous issues, a description of the upcoming volume, and excerpts from several of the stories, the mini addresses race relations, robots, and rationalization. Paul Hornschemeier is brilliant. More, please. Free from Absence of Ink, P.O. Box 875, Lincoln, CA 95648. Gabagool! #4-5 (May and September 2003) Leaving behind the digest-sized photocopied minicomics of last year for 28-page "properly" printed comics, Mike Dawson and Chris Radtke slow down the pace much too much. The comedy is all in the timing, and now that Radtke's writing for the longer form, their humor is half-baked. After Christopher Vigliotti gets laid off from his dead-end dotcom job, he and his roomies heroically take some time off in "Hedonism," Jamaica. Incorporating some interesting Terry Laban-influenced artwork, Dawson pens some pleasant panels involving hair removal, role-playing games, and vacation vocations. I miss the sitcom-smart silliness and whip-witted whackiness of previous issues. Please don't sacrifice the silly bits for the Joe Sacco-inspired seriousness sussed out by tangible travel. $3 from Mike Dawson and Chris Radtke, P.O. Box 1638, Radio City Station, New York, NY 10019. Where Are You Going (August 2003) Signed and sealed at the point of purchase, Lark Pien's 44-page book one the Mr. Boombha series is a hand-bound collection of six stories. Mr. Boombha wakes, observes his morning constitutional, and proceeds to visit his friend Flowe. Mixing characteristics of Greg Cook, Bil Keane, and Larry Marder, Pien portrays Boombha's day, which is full of playful math, gentle jealousy, and wanton waiting. Then Boombha goes on a trip to Down Under. With work in eight other published comics, Pien's one to watch. Write Lark Pien, 4016 Opal St. #1, Oakland, CA 94609 for more information. Zombie Hunters in Space In addition to an introductory essay outlining the author's seven biases for MK Reed's scribbly comic strip, this eight-page photocopied catchall comprises several examples of the comic. For the most part, it addresses loneliness, robots, technical writing, the creator's artistic process, and card games. Lesson: If you don't have a full-fledged comic to bring to SPX, don't bring a comic to SPX. Who the heck is Matt Finley? Write MK Reed for more information. Thursday, November 13, 2003
Daily Dosage III Neal Pollack has stopped blogging. Like Dan Pink and William Gibson before him, the media personality reaffirms that stopping is the new starting. Comics and Community XIX Wow. I published my first proper zine when I was 15 years old -- in 1988, when I published the first issue of No Drama, inspired by an issue of Maximum Rocknroll. My friend Brad claims earlier independent media cred by at least four years: He started publishing his comics fanzine The Friendly Neighborhood Comic Paper in 1984. I am in awe. Clothes Whore IX Back in June, Sarah Chauncey of Information Connections sent me a T-shirt in response to the open invitation that if a Media Dietician sends me a T-shirt, I'll wear it to work, take a picture, and post it in the blog. ![]() Better late than never, I suppose. Thanks for being game, Sarah. And apologies for the delay! I promise to be more timely next time someone sends me a shirt. Wednesday, November 12, 2003
Tuesday, November 11, 2003
Take That, Big Apple Well, it looks like I'm moving to New York City in the next couple of months. The Boston office of Fast Company is closing, and while I can work from home in Boston, where I live now isn't really conducive to working from home -- and I need co-workers around. You see, I'm one of those people people. Soon, I'll be looking for a new apartment in the city to the south. I think I'll check out Hoboken, Williamsburg, Greenpoint, and other parts first, but Manhattan isn't out of the question: East Village, Lower East Side, perhaps between midtown and Canal Street. I'd like one or two bedrooms and ample space for books. I have a lot of books and records. If you have a lead on a place that doesn't require a fee, I'll offer a generous reward. Email me if you have referrals or leads. Photo credit: Michelle Kennedy Rules for Fools XVIII Rule No. 21: If you leave your cell phone on the kitchen table at home, you will feel absolutely naked. Naked! Monday, November 10, 2003
The Movie I Watched Last Night LXXXII The Texas Chain Saw Massacre Why go see the new remake, when you can revisit the 1974 Tobe Hooper original? While I didn't keep up with the sequels, I see no reason to remake this low-budget shocker supposedly based on a true crime that occurred in 1973. As far as slasher movies go, Hooper's vision is relatively restrained. Most of the violence is suggested, and outside of some establishing shots of bone-iture in the killers' home, there is very little gore. Similarly, it's more of a linear run-and-hunt screamer than a suspenseful mystery. There's very little hesitancy in the movie, and Gunnar Hansen's Leatherface is absolutely mindless and relentless in his attempts to kill his prey. In several scenes, B-queen Marilyn Burns demonstrates her golden throat as she screams persistently for surprisingly long periods of time. And the only hint of the supernatural is the desiccated grandfather's taste for Burns' heroine Sally Hardesty's blood. In fact, despite the movie's history and fame, what Hooper has left us with is a backwater Texan tale of economic development -- development in which a mentally unbalanced family is left behind and turns elsewhere for their livelihood and survival. I was surprised by how quickly Hardesty's circle of friends was dispatched -- the meathook scene is a favorite -- and for the most part, the deleted scenes and "blooper reel" on the DVD aren't really worth watching. Bloopers, indeed: "I meant to cut off her arm! I slipped and sliced off her leg!" "You goof. Cut!" Event-O-Dex LXXXIII Saturday, Nov. 15: Big Digits, Radar Eyes, and the Count Me Outs save the world at the Abbey Lounge in Somerville. Anchormen, Aweigh! XXIX I couldn't decide if it was good news or bad news, so I'll leave it up to you: I spotted an Anchormen CD -- "Punk Rock is Awesome" -- at a Half Price Used Books in Rocky River, Ohio, west of Cleveland. -- Joe Germuska From the In Box: Street Art II The timing isn't exactly random. I don't get to London (from Norwich) all that often, so my trips to Leytonstone have tied in with the annual general meeting of the British Association for Modern Mosaic in October. It was the Friday before the meeting. I didn't get to London until midday, and I still managed to scurry around and get about 250 photos for my site. Someone has to, surely. Maybe more information than you really wanted, but did you see the new ones of the Paolozzi mosaics at Tottenham Court Road? The Michelin building is pretty funky too. -- Rod Corollary: Technofetishism XLVII There's a handy little app called Postfix Enabler that you can download and run to configure your mail server under Panther. Slick as heck. Personal email's back up and running. |
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